What is the Mahabharata?
The Mahabharata is the longest history in the world. It consists of numerous branches of stories, with hundreds of characters shaping the story line. With over 100,000 slokas (a couplet), meaning 200,000 individual verse lines, and long prose passages, it has around 1.8 million total words. It is about ten times the length of the Iliad and Odyssey combined, nearly four times the length of the Ramayana.
In the Indian tradition Mahabharata is sometimes called the fifth Veda, after the well-known four, Rig Veda, Yajur Veda, Sama Veda and Atharva Veda. In the Mahabharata, unlike Rama in the Ramayana, Krishna uses some of his divine powers to get things done, steering the way through the evil he is trying to overcome.
Through all of Lord Vishnu’s avatars, there is a progression in where good and evil reside. In the first few avatars, they were far apart in different worlds. Then in Vamana and Parashurama Avatars, they came into the same world. In Rama Avatar they came to the same area in the planet. In Krishna Avatar. Good and evil came into the same family.
Now, we are in Kali Yuga, with good and evil residing in the same person. The yugas (ages) have progressed, from Satya Yuga to Treta Yuga, to Dvapara Yuga and now to Kali Yuga. In this cosmic timeline, the state of affairs has degraded from all good to mostly evil. With this progression, who can predict what Lord Vishnu will have to do and what powers he will have to use in his final avatar, Kalki?
The Mahabharata is divided into 18 sections or books, with many sub-stories supporting the main story line. The main story line revolves around two groups of cousins, the Kaurava and the Panḍava princes, and the war between them, the Kurukshetra War.
While Krishna and Balarama are the third set of cousins in the Mahabharata, Krishna is the center of all the drama that takes place. He directs everything to perfection, teaching humans about what evil can bring about in the world. In contrast to Rama Avatar, where Lord Vishnu as Rama shows the world how a person should live, in Krishna Avatar he shows how people should not live.
Vyasa (often called Veda Vyasa) is the author of this great epic. He is credited with classifying the Vedas, writing the eighteen Puranas, writing the Yoga Bhasya (a commentary on Patanjali’s Yoga Sutras), and composing the Mahabharata, among other things.
It is mentioned in the first section of The Mahabharata, that Lord Ganesha wrote down the text as Veda Vyasa dictated it. As per the legend, Vyasa wanted to compose the Mahabharata. For this he needed a very intelligent person to write it down. So he prayed to Lord Brahma to help him find such a person. Brahma said that the only one capable of handling such a task would be none other than Lord Ganesha. Vyasa prayed to Lord Ganesha, requesting him to help.
With a smile, Lord Ganesha agreed to Vyasa’s request but under one condition. Ganesha will not stop writing once he starts the work and, if at any point Vyasa lags, then Ganesha would stop writing and Vyasa would need to find someone else. Vyasa agreed to the condition and made one of his own. He requested that Lord Ganesha needs to understand each sloka before writing it down. This bought Vyasa some time to in order compose the following sloka.
The writing of the Mahabharata began; Lord Ganesha was writing and Vyasa was dictating. |
Vyasa, son of Rishi Parasara, gave the Mahabharata to his son, Sukha Muni and his other disciples. The sage Narada gave this knowledge to the devas, and Sukar gave it to the gandharvas, yakshas and the rakshasas. Sage Vaisampayana gave this knowledge to the earthlings at a great yaj~na performed by Janamejaya, the great grandson of the Pandava prince Arjuna. This knowledge was also shared by Suthar to all the rishis lived in the Naimisaranya forest. This is how the Mahabharata reached our modern times.
We are concentrating on Krishna’s and Balarama’s life story, with the Mahabharata in the background. In other words, if focused on the Mahabharata as the story, the start and progress of the story line would be different. Yet the entire plot will be covered.
Krishna and Balarama |
Balarama is usually depicted in blue garments, wearing bracelets and armlets. His weapons are the plow (hala) and the mace (gadaa). His hair is tied in a topknot, showing his strength, the reason for his name.
Krishna is often depicted wearing a peacock feather on his wreath/crown. Playing the flute, he is usually shown standing with one leg bent in front of the other. He is sometimes shown with cows or calves, which symbolizes the divine herdsman, herding the souls.
by: Nirooshitha Sethuram
The Mahabharata story begins in the next installment.